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SPEAKING OF SHAKESPEARE ENGAGEMENTS

We extend warm greetings to those who are new to the GUILD, and gratitude to those who've contributed to the success of our many programs. As you browse these pages, clicking on the blue links that serve as navigating devices, you'll see that we're now focused on online formats for most of our offerings. All but a handful of them have been produced in collaboration with the National Arts Club in Manhattan, and two of them, conversations with DAME JUDI DENCH and SIR IAN MCKELLEN that drew more than 2,000 viewers each from around the globe, have attracted the NAC's largest audiences of the 2021 season.

Our most recent event, at 2 p.m. Eastern Time (7 p.m. GMT) on Sunday, September 19, was a follow-up conversation with IAN MCKELLEN, who's currently starring in a new production of Hamlet at Theatre Royal Windsor. Now 82, Sir Ian is treating audiences to an age-blind, color-blind, and gender-blind presentation of the drama with which Players founder Edwin Booth concluded his acting career in 1891 at the Brooklyn Academy of Music. Co-hosted by cabaret artist Shana Farr and Guild president John Andrews, it was presented under the auspices of The Players. To watch a Facebook recording of it click here.

RECENT ATTRACTIONS

Another recent offering -- also hosted by Ms. Farr, who serves as Vice-President for The Players -- was a wide-ranging discussion with Mr. Andrews. To enjoy this dialogue, which occurred on Tuesday, June 22, click here. Two months earlier, on Saturday, April 24, Ms. Farr and Mr. Andrews had co-hosted a festive Shakespeare's Birthday gathering with Oscar laureate F. MURRAY ABRAHAM, an exchange that celebrated what has long been revered as Edwin Booth's club, a historic institution that was founded by the actor in 1888. To watch it, click here.

Another recent highlight, on Monday, June 14, was a delightful conversation between Mr. Andrews and SUSAN STAMBERG, one of the radio pioneers who made All Things Considered an essential part of our lives. In 1999 Mr. Andrews hosted an evening with Linda Wertheimer and Cokie Roberts, two of Susan's NPR colleagues, at the National Press Club. Three years earlier he had asked Ms. Stamberg, who'd helped launch the Gielgud Award in 1994, to interview Kenneth Branagh (who would go on to to win that trophy in January of 2000) at the Smithsonian Institution. Two years later Ms. Stamberg nterviewed 1998 Gielgud laureate Zoe Caldwell and her husband Robert Whitehead at the Folger Shakespeare Library. What led to this summer's program with her was a remarkable new book, Susan, Linda, Nina, and Cokie: The Extraordinary Story of the Founding Mothers of NPR, by arts journalist Lisa Napoli. It's a riveting narrative, and if you click here you'll enjoy a memorable chat with a legend whose many honors include a star on the Hollywood Boulevard Walk of Fame.

Another spring attraction, on Tuesday, April 20, focused on playwright DAVID HARE. Sir David took part in our 1999 Gielgud Award presentation to Dame Judi Dench at the Barrymore Theatre in New York, and he himself received our 2017 Gielgud trophy at London's venerable Guildhall. To watch a memorable conversation with an extraordinary dramatist, screenwriter, director, and performer, click here.

Looking back to other highlights in a series that has attracted thousands of viewers from around the globe, one was a delightful exchange with IAN MCKELLEN. Sir Ian had received the Guild's inaugural Gielgud Award for Excellence in the Dramatic Arts during a historically resonant 1996 ceremony at the Folger Shakespeare Library in Washington. And he rejoined us Wednesday, March 3, for an NAC@Home program that focused primarily on his dozens of Shakespearean roles. To watch it, click here.

On Wednesday, February 24, we chatted with one of Sir Ian's most cherished theatrical colleagues, JUDI DENCH. The Guild had honored Dame Judi with its 1999 Gielgud trophy at Broadway’s Barrymore Theatre during a gala that featured such luminaries as Keith Baxter, Zoe Caldwell, Rebecca Eaton, David Hare, Hal Holbrook, Robert MacNeil, Ronald Pickup, Toby Stephens, and Christopher Plummer. To enjoy this charming visit to Dame Judi's home a few miles south of London, click here.

In late December of 2020 we saluted RICHARD EYRE, who oversaw Britain's National Theatre during a decade that featured such triumphs as a touring Richard III, with Sir Ian McKellen in the title role, and the global premiere of Angels in America. A young Judi Dench influenced Sir Richard's decision to become a director, and he took part in the 1999 Gielgud ceremony that paid tribute to her. Sir Richard has also enriched our lives with a number of cinematic gems, among them Iris and Notes on a Scandal, both of which starred Dame Judi, and a recent King Lear with Sir Anthony Hopkins in the title role. Click here for a riveting hour with one of our most visionary dramatic artists.

On September 13, 2020, the Guild joined Santa Fe's Lensic Performing Arts Center, for a lively dialogue with JIM DALE, a celebrated and remarkably versatile performer who garnered an Oscar nomination as lyricist for the theme song in "Georgy Girl," who won a Tony Award for his title role in "Barnum," and who holds multiple Grammy Awards for his evocative recordings of "Harry Potter." Click here to enjoy the charming anecdotes he shared with Lensic executive director Joel Aalberts and Guild president John Andrews about his brilliant career as a singer, composer, actor, director, raconteur, and narrator.

And click here to watch a resonant conversation with Harvard's STEPHEN GREENBLATT that was recorded in late June of 2020 but held for realease until August 19. It was a wide-ranging exchange that commenced with a discussion of the prescient op-ed that Professor Greenblatt published in the New York Times a few weeks before America's 2016 presidential election. It then focused on Tyrant, his 2018 volume about Shakespeare's insights into how corrupt authoritarians seize and maintain power. From there it proceeded to a broader consideration of the classical education a budding playwright received in grammar school, and the ways in which it equipped him to produce the masterpieces that led a fellow dramatist, Ben Jonson, to eulogize him in the 1623 First Folio as an artist who was "not of an age, but for all time." For a vivid illustration of how Professor Greenblatt's books and articles are influencing today's political discourse, see a recent Times column by Maureen Dowd.

On June 23, 2020, we arranged an afternoon session with F. MURRAY ABRAHAM, a gathering that permitted the Guild to introduce an actor who grew up in the Southwest to his admirers at Santa Fe's Lensic Performing Arts Center. To watch this conversation, click here. A few weeks later, on August 12, we enjoyed a delightful National Arts Club exchange with actor JOHN DOUGLAS THOMPSON. He had recently portrayed the Duke of York in the New York Public Theater's WNYC audio presentation of Richard II, and that was one of the topics we addressed with him. To watch this engaging dialogue, which was promoted by both Broadway World and Thought Gallery and elicited questions from viewers around the nation, click here.

Many of the admirers who joined us for that event had also participated in a dialogue on May 26, 2020, with JAMES SHAPIRO of Columbia University. Click here to watch an NAC discussion that explored Shakespeare in a Divided America, a timely volume that the New York Times has recently identified as one of The Ten Best Books of 2020.

As we recall the days before Covid-19 changed our lives, many of us are now feeling nostalgic about evenings such as one that occurred on February 26, 2020, at The Players (16 Gramercy Park South in Manhattan) with two of America's most distinguished visual artists, illustrators JAMES MCMULLAN and EDWARD SOREL. This exchange, which took place in the club's stately Hampden-Booth Library, was recorded by Ed's son, Leo Sorel, and thanks to him and his colleague James Salzano, we hope to make it available soon on YouTube.

Because of the Trumpidemic that followed that special occasion, we've postponed several SOS offerings. Yet to be rescheduled, either as programs with in-situ audiences or as online offerings, are conversations with Ron Rosenbaum (a prolific journalist whose publications include The Shakespeare Wars), with Shana Farr (a gifted cabaret singer), and with Scott Newstok (an esteemed scholar who draws on "Lessons from a Renaissance Education" to explain How to Think Like Shakespeare).

During the interim we encourage you to revisit a 2007 C-SPAN2 interview with E. R. Braithwaite, the author who gave us To Sir, With Love, a globally-renowned, best-selling 1959 memoir about racial struggles in post-war London that provided Sidney Poitier with one of his finest roles in an award-winning film whose theme song, recorded by Lulu, was Billboard's top single of 1967. For more detail about Ambassador Braithwaite, who died in 2016, visit OTHER OFFERINGS.

THE GUILD'S 2019 GIELGUD AWARD CEREMONY IN LONDON

Our most recent Gielgud Award, presented on Monday, October 28, 2019, paid tribute to the extraordinary achievements of Sir Cameron Mackintosh. Once again our Award festivities took place in conjunction with the UK Theatre Awards Luncheon. And once again our Award selection was featured in publications such as Broadway World and The Stage. As it happened, however, this celebration occurred, not as usual in London's venerable Guildhall on Sunday, October 27, but at the beautiful Gielgud Theatre the following afternoon. As you'll see if you peruse our brief overview about the gathering, it proved to be a memorable occasion, and one that saluted not only that year's Award recipient but Clive Francis, the actor and visual artist whose caricatures are among the highlights of a beautiful shrine to the Gielgud legacy.

Fifteen years earlier, on April 19, 2004, the Guild had joined the RSC and RADA in that resonant setting for a remarkable Gielgud Centenary Gala. Our 2019 gathering vividly recalled that occasion. But it also commemorated two anniversaries that dated back a quarter of a century: (a) the establishment of a new award in Sir John's name, which was announced on April 24, 1994, at the Folger Shakespeare Library in Washington, and (b) the renaming of a venue on Shaftesbury Avenue that had been known as the Globe prior to November 2, 1994, when it became the Gielgud Theatre in recognition of Sir John's exemplary accomplishments, not least among them fifteen major productions in that prestigious setting.

Bestowing our 2019 trophy was Sir Richard Eyre, who was busy directing a revival of Mary Poppins at London's Prince Edward Theatre. In addition to his many achievements in the profession for which he is best known, Sir Richard is a distinguished producer, filmmaker, and author, and it was he who received our 2018 Gielgud Award at last October's UK Theatre Awards luncheon. Sir Richard's riveting television production of King Lear, with Sir Anthony Hopkins in the title role, had debuted a few weeks earlier on Amazon Prime Video. Meanwhile his evocative feature film, The Children Act, co-starring Emma Thompson and Stanley Tucci and featuring Fionn Whitehead in a screenplay by novelist Ian McEwan, was gripping moviegoers around the globe. And if those credits were not enough, Sir Richard was also directing Laura Linney in My Name Is Lucy Barton, a "beautifully nuanced solo performance" (Michael Billington of The Guardian) to open soon on Broadway.

Our 2018 award had been presented by Sir Ian McKellen, The Guild's inaugural Gielgud laureate, who was himself appearing in a West End staging of King Lear that had been shared cinematically with audiences throughout the world. When he'd received his own trophy, during a ceremony at the Folger Shakespeare Library on May 20, 1996, Sir Ian had graced the occasion not only with praise for Sir John, but with a from The Booke of Sir Thomas Moore, relating the words that Shakespeare had composed for the script's title character to remarks that Justice Anthony Kennedy had uttered earlier that day while he was delivering a pivotal Supreme Court ruling that "no state may 'deem a class of persons a stranger to its laws.'"

As he bestowed the 2018 Gielgud trophy, Sir Ian recalled how much Sir John did, not only to exemplify meticulous standards in his own presentations of Shakespeare and other playwrights, but to encourage and support the efforts of other performers, among them those who were just beginning their careers. Sir Ian extolled Richard Eyre for the same qualities, and he emphasized how much everyone who cherishes the dramatic arts has benefited from his many contributions to our cultural lives.

For more detail about the Guild's 2018-19 programming, click here. If you wish to join and receive periodic updates, we invite you to visit our MEMBERSHIP page for types of affiliation. There you'll find a link to a page where you can register for events, enroll as a Guild member, or provide a tax-exempt DONATION.