Speaking of Shakespeare Link

Speaking of Shakespeare
Those who had the good fortune to attend the most recent event in our signature conversation series, a February 28th engagement in Manhattan's National Arts Club with filmmaker and theater producer Eleanor Bergstein, are now savoring the vivid anecdotes she shared about "Dirty Dancing." We now look forward to a gethering at The Players (Tuesday, March 20) with founder and artistic director Jesse Berger of the Red Bull Theater, and to upcoming dialogues with playwright and director Nagle Jackson (Wednesday, March 21, at the NAC), historian Edward Tenner (Wednesday, April 18, at the NAC), director Sir Richard Eyre (Tuesday, May 15, at The Players), and New Yorker favorite Adam Gopnik (Thursday, June 14). We're also anticipating a festive evening at Hotel La Fonda in Santa Fe (Thursday, March 29). More attractions will be announced in the near future.

On Monday, January 29, we focused on the inspiring efforts of Stephen Burdman, founder and artistic director of the New York Classical Theatre. Three days later, as part of a luncheon gathering at the Woman's National Democratic Club in DC, we chatted with actor and director Keith Baxter, who is delighting Washington audiences in three roles (the Ghost, the Player King, and the Gravedigger) in a production of Hamlet that highlights Michael Kahn's concluding season as Artistic Director of the Shakespeare Theatre Company. One of our attendees, Leslie Weisman, generously shared some reflections on the portion of that conversation that focused on Orson Welles, the actor, director, and producer with whom Mr. Baxter worked when he portrayed Prince Hal in Chimes at Midnight, a 1966 film classic that starred Welles as Falstaff and Sir John Gielgud as King Henry IV.

We opened our 2017-18 SOS season on Friday, October 6, with educator Joanna Read, who heads the London Academy of Dramatic Art (LAMDA). A few days later, on Wednesday, October 18, we enjoyed a delightful evening with Washington Post theater critic Peter Marks. Then on Monday, November 6, we talked with WNET executive Stephen Segaller, who previewed this spring's attractions in a series called Shakespeare Uncovered, a three-year, 18-episode co-production with the BBC that provides charming introductions to the most popular plays in the dramatic repertory.

Our 2017 Speaking of Shakespeare offerings commenced at the National Arts Club on January 18 and February 22 with Jean E. Howard of Columbia University and Shane Ann Younts of NYU's Tisch School of the Arts. A few weeks later, on March 22, we talked with Sarah Enloe of the American Shakespeare Center. On April 26 and 27 we enjoyed richly informative engagements with film historian Samuel Crowl and director Karin Coonrod. Our dialogue with Ms. Coonrod was a sequel to a March 2016 conversation that focused on a historic July 2016 production of The Merchant of Venice. We revisited not only the performance itself, but a timely symposium (with Justice Ruth Bader Ginsburg presiding over deliberations featuring actor F. Murray Abraham and scholars Stephen Greenblatt and James Shapiro) which was covered by the New York Times. The following month, on Thursday, May 25, we focused a spotlight on arts patron Nancy Zeckendorf.

On June 12 we SOS conversed with arts executive Julian Bird. Mr. Bird oversees both the Society of London Theatre, the producers' organization that presents the West End's Olivier Awards each spring, and UK Theatre, a consortium, formerly known as the Theatrical Management Association (TMA), which represents performing-arts institutions throughout the United Kingdom. UK Theatre now hosts the Guild's annual Gielgud Award festivities, at an October luncheon in London's historic Guildhall, where we recently honored playwright Sir David Hare with our 2017 trophy.

To receive periodic updates from The Shakespeare Guild, you're invited to visit our Membership page for types of affiliation. There you'll find a link to a page where you can register for events, enroll as a Guild member, or provide a tax-exempt donation.

Meanwhile, for background on the Guild's signature Speaking of Shakespeare series, which began in 1998 at the National Press Club in Washington, click here. For details about offerings that have been presented in particular seasons, click on the blue link for the year that interests you: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016. And for information about upcoming programs, visit our Current Events page.